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"This Week on Marvel's Agents of S.H.I.E.L.D." Podcast

Cynicism and Cinema

"How am I supposed to hate this? What is this emotion that I'm feeling that I can't explain?!? Is it, happy?"

I've been making a point the past few months to be less cynical. But with social media it seems to be too easy, and almost encouraged...

In our popular culture as of late, the trend seems to be snark, disgust and outrage no matter what the subject and no matter what the context. Is there a live event going on? Tune into Twitter or your favorite blog for "live snarking." Was something just announced be it a book, album, movie, or video game? Quick, take to the interwebs to shit all over it as fast as you can!

It didn't used to be that way. In fact, it wasn't all that long ago.

"Ugh, moving molecules around in order to transport them from location to location? That's a terrible idea."

I was listening to Grant Morrison's interview on Chris Hardwick's Nerdist podcast yesterday and it was interesting timing. In the interview, the two discuss how America went from being this happy-go-lucky sky is the limit for our future where Star Trek was our vision of mankind's next steps to a cynical view where essentially we have destroyed everything worth living for and shuffle around in the shambles vision of the future in The Walking Dead. Cynicism has become so prevalent in our culture that we don't even see a distant future for mankind anymore. Our aspiration is just to survive instead of thrive.

What the hell happened to us?

On a whole, has the predominant temperature from being hurt so many times (or on so many various levels) triggered some sort of a defense mechanism where we have to deal with any situation with the snarkiest and most cynical attitude possible? Is this a post-Phantom Menace syndrome where our feelings are attempting to protect themselves from hyping something up so much to a point where expectations are unrealistic by already deeming something terrible so that if it's actually good, it'll be a pleasant surprise? Is it connected to the strange upswing in political correctness and litigious tendencies that put everyone on edge? Is it because now that everyone has a voice through so many outlets that the squeaky wheels are louder?

The reaction isn't necessarily isolated to but has really piqued my curiosity with the most recent news that The Heat writer Katie Dippold would be joining Paul Feig to reboot Ghostbusters with female comedians in starring roles. Not necessarily ALL of the roles (as some are arguing back and forth, nobody has said that this is inspired by Y the Last Man and no testosterone will be present at all in the film). But the outrage seems to be triggered by all sorts of catalysts: it's a reboot, it won't feature the characters from the first two films, female actors will portray roles, Paul Feig wears a suit on set. Okay, that last one I made up but there actually might be someone out there that's angered by that and has taken to expressing so in 140 characters, I haven't checked.

No joke, a long-time fellow fanboy's immediate reaction to the news yesterday was:

"This makes me want to spin around, screaming while firing my space gun like Rocket Raccoon. Gnashing my teeth, rending my garments, pouring fistfuls of dirt on my head."

...oh... but congratulations, Katie for getting a paid writing gig on something still in development which still might never make it in front of cameras. We're happy for you, we swear. - I think is what was left unsaid in that update.

Meet the squeaky clean cast of your new Ghostbusters, bet you want to snark something in 140 characters about it right now? C'mon, admit it.

What happened that, in 1996 when Columbia (then Tri-Star) announced they were teaming with Bohbot to bring us "Super Ghostbusters" which would star a Goth girl, a Latino slacker, an athlete in a wheelchair, and Carlton from Fresh Prince, and my and others' reactions were an immediate, "Holy crap! New Ghostbusters! This sounds awesome! We can't wait!" As a then freshman in high school, I remember running home to watch the precision-set VHS recording that was waiting for me from recording while I was at school on the very first day the show aired. I was excited. It was new. It was different. Holy shit, it was Ghostbusters. Cool! Interestingly, the announcement yesterday that could essentially have mirrored the news in 1996 (that a new writer - yes, the fourth or fifth to be hired on this project by my count - had been hired, that the crew would be comprised of new actors and new characters, maybe one or two of the old guys might come back if they want) was met with this extremely polarized outcry from fanboys, movie blogs, moms, dads and pets all around the world? 

Looking back on it, if present day me heard the same news from 1996 - would my reaction be as positive and optimistic? Or would I immediately violently react to the word "Extreme" being used as often was the trend in the 90s and calling the "diversity" of the cast nothing more than a gimmick? And sadly, if that was the case, would I have watched a cartoon that I actually really enjoyed and ended up making several friends from the production staff through the course of all because I had jumped to such a polarized conclusion?

Is it the arm-chair quarterback mentality that many think they could do better in some shape or form? Is it that the sense of humor in present day 2014 veers toward deprecation? Nerds have always found ways to poke holes and complain, that's nothing new (otherwise the Comic Book Guy on Simpsons would have never become the character that he has on that show). But what is it in the human psyche that causes someone to immediately not like something they know nothing about and haven't given a chance? Judging the so-called book by its cover (no matter how many details of the cover have even been revealed). Where's the fun in that?

I guess I'm trying to wrap my mind around why, after years and years of being strung along and finally being close to it happening, another Ghostbusters film being a possibility is causing fanboy flame wars and heated debate well into the early morning hours instead of excitement of potential? Especially considering how scarce details are for the discourse?

I'm guilty of it myself, and will openly admit to it. I reacted adversely to news that the new Terminator film would be called "Genisys" and immediately took to Twitter to be snarky about it. Aside from casting information and a shot of Arnold's back sitting in a director's chair, I know nothing about the film and it could be the awesomest thing that I've seen in my entire life. But why was my instinct upon hearing the (still ridiculously spelled) title to jump onto social media and shit on it?

Considering that this is my hobby, the distraction from the real world that should be adding joy to my life, why was that initial instinct to hate?

A Secret Return to Hill Valley

Doc and Marty stand in front of the London crowd as the DeLorean carrying Einstein zooms by in time with the film. (Courtesy Secret Cinema)

Now that the "secret" is out and the final performance has sent Marty home, I wanted to recount my amazing Secret Cinema experience in London for their incredible Back to the Future screening. While the event seems to have gotten a lot of press for the troubles that it had in its first few weeks, it doesn't seem like many are talking about what an amazing and incredible experience the event actually was.

Built on the former Olympic Park site, a lovingly recreated Hill Valley Courthouse square contains some of the most iconic buildings from the films that you could walk around and explore. Lou's Diner offered spiked chocolate milkshakes and a "Tab" which was a coffee liquor, vodka and Coke based alcoholic beverage. The Enchantment Under the Sea dance was in full swing inside the Hill Valley High School facade.

Hill Valley High School lovingly recreated on the Olympic Park (courtesy of the Independent.co.uk)

But the best part of the experience were the cast actors that roamed around in-character. Principal Strickland yelled at me for walking outside of the school halls and not having a pass. Future Mayor Goldie Wilson came up to me and thanked me for the advice to take night school classes in political sciences, and didn't skip a beat when I started interacting with him about taking some public speaking as well. More about Goldie in a moment.

The entire evening begins around 5pm as ticket holders are allowed admittance in waves. A check-in area out front of the Olympic Park starts the world building, much like when you're entering a new area of Disneyland. Hay bails and a farmland motif of the Twin Pines Ranch surround you as security guards check your bags and make you turn in your cell phones and cameras (one of the better parts of the experience as nobody is desperately trying to Instagram the entire experience, while also adding to the atmosphere that nobody is hunched over looking at their devices every five minutes).

The people of Hill Valley bustle about their business as everyone waits for the sun to set. (Courtesy of The Guardian)

As you walk in, you're encouraged to explore all that Hill Valley has to offer. You can enter the homes of mainstay characters like Biff Tannen and see the life that he lives with his grandma (and hear a very familiar sounding football game playing on the radio, which Biff may or may not know the outcome). You can pop into the comic book shop where 1950s-era comics are on the racks and an enthusiastic actor is perched in the window wanting to regale you by reading every single panel of one of her favorite books. You can jump into Hill Valley High School and wander the halls, where they've meticulously created a row of lockers all adorned with love (or hate) notes. The pep squad is selling t-shirts and pennants to help you show your school spirit, while Marvin Berry (a DJ unfortunately) plays tunes from the 50s and 80s to the delight of swing dancers and others looking to feel the music. 

We stuck to Lou's Diner as it looked like it would provide the best view of the screening and the entire square - plus, it's where the beer was to be had. As the night goes on, moments from the film slowly unfold in chronological order around you. George McFly comes in to sit at the counter and sure enough, Biff and his goons walk in to torture the poor guy.

The Courthouse ready for the screening. (Courtesy of Daily Mail UK)

As the sun sets, a parade to celebrate the anniversary of Hill Valley's beloved clocktower is supposed to take place, with most of the reenact staff having recruited colorful ticketholders throughout the evening to help them on the parade route. Future Mayor Goldie Wilson had taken to my friend Abby, our gracious UK hosts and myself and had asked us to help him go outside to the parade and represent Lou's Diner. Unfortunately, with the London rain pouring down, he later came over and informed us that the parade was cancelled. We encouraged Goldie that if he's going to go into politics it's time to make a stand and parade cancellation be damned, we walked out and cheered and chanted with him to the front of the courthouse square. Goldie never broke character once as was good-natured enough to play along with us.

Once the sun is completely down, everyone begins to settle in for the outdoor screening of the original Back to the Future film, projected crisp and clear directly onto the five story life-sized courthouse and with giant rock concert worthy loudspeakers blaring the film's audio. But the surprises aren't over, as the film plays, the entire town of Hill Valley is still alive.

The giant-sized visage of your SPT curator in front of the closing moments of the (very rainy) screening.

I'm not that big of a fan of "live shadowcast performances" during films (it's no secret that I'm a grumpy old man when it comes to people miming in front of a perfectly good screen), but the performances that took place around the screening were incredible. Marty McFly first appeared on skateboard and jumped onto the back of a Jeep Wrangler for a tow around the circumference of the square, waving to the crowd as he passed by everyone. The DeLorean (a meticulous recreation of the car seen on-screen with exception of it being a European right-hand drive model - which required the blocking of all the live performance scenes to be a mirror image of what was being shown on screen) appears in a cloud of smoke in front of the Clocktower eliciting cheers from the crowd. The familiar blue VW van of the Libyans appears and chases the DeLorean all around you while the action unfolds on screen. And of course, the film's climax which takes place in front of the Courthouse is a highly choreographed pyrotechnics show where you're watching Doc Brown dangling from the dial of the Clocktower in real-life directly above the screen where he's dangling on the film... and you can imagine, he needs to zip-line down in both.

An aerial view of the Olympic Park and the recreated Hill Valley Courthouse Square. (Courtesy Huffington Post)

The whole evening felt like a once-in-a-lifetime experience that you most definitely had to be there to truly appreciate. It's such a great idea for a limited time event and to also to rejuvenate an area that might have vacant and unused space. The entire time, my friend Abby and I were lamenting that we wish that Los Angeles would do these types of events considering the resources available out here in terms of production design, costumes, actors, even the actual locations and sets... and funny enough, the LA Times just announced that Secret Cinema will be bringing the Back to the Future experience to LA some time soon. The crowds will most definitely be larger and the experience might not be the same, in fact I think that we lucked out quite a bit having attended a rainy day screening because we got more individualized attention and a little more breathing room than I'm sure many receive on the more crowded days.

But even if it's half the experience that it was the first time, it'll be one helluva ride.

Classic SPT: That Guy Who Dresses Like Me

Screen capture from an interview conducted for the "Back to School: Extra-Curricular Edition"

Here's an article that was lost in the transition over to the new Squarespace-hosted site, from note all that long ago: February 24, 2014 just after Harold Ramis' passing...

"Do you like the movie Groundhog Day?" Asked a flyer hanging up on a corkboard in the Loyola Marymount cinema building. Nothing more, just those words with an email address at the bottom of the flyer. The correct response of course is, who doesn’t?

But to a kid like me, who had grown up a fan… okay… let’s be honest, borderline obsessed with Ghostbusters and then eventually the more adult films in which Harold Ramis was instrumental, I had to respond to the flyer.

Unbeknownst to me, the flyer was outreach by Harold Ramis’ producing partner Trevor Albert who was on the hunt for a few good interns to make lunch runs, page check scripts, and write some coverage. While most Hollywood stories include being an intern for a violently angry executive of some sort, working for Trevor was one of the best experiences of my life. What I quickly learned from Trevor was to treat everyone warmly, do your best to not let the pressure crack your cool and calm demeanor, and that the nice guys actually can do well for themselves in this crazy city. Trevor had developed such a friendly way of work through his years working with Harold Ramis, who had moved back to Chicago and Trevor had set up his own production company in place of Ocean Pictures.

Several months into my internship, I had started manning Trevor’s assistant desk while the amazingly talented Peter Livolsi began his career at AFI. Calls were frequent, usually writers, executives, agents and managers, all walks of Hollywood life calling on a regular basis. Visitors would come in looking to talk to Trevor or for a meeting with he or his development exec Kym. 

One of those days, out of the blue - the visitor was Harold Ramis, stopping by his old offices while he was in town to say hi to Trevor and Kym. I was a starstruck mess, while he was patient with me. Keeping his trademark smile present at all times. Kym, knowing my fando— obsessions, broke the ice by introducing me to Harold:

"Oh, this is Troy. He dresses up like you for Halloween."

Harold laughed and without skipping a beat said, “Oh that’s funny, I dress up like me for Halloween too.”

The meeting was brief, I did my best to keep my shit together the whole time but it was one of those moments that sticks out in the several years that I had interned and assisted for Trevor. Sometimes when you meet your heroes, they aren’t the people that you expect them to be. But in this case, much as Trevor had taught me - Harold treated me warmly and was just a super nice guy.

Shortly after that, I had helped Harold and his team working on the Ice Harvest with a few things during their production, having spoken with Harold and his producers several times. Every single time everyone could not have been nicer.

Fast-forward a year or two later, where the pleasure of working with Trevor had led me to get into DVD behind the scenes documentaries, and I happened to be a part of the Back to School: Extra-Curricular release for Fox/MGM. On the slate of interviewees of course was co-writer Harold Ramis, who would talk about the film and talk about his relationship with Rodney Dangerfield.

Harold was on the CBS lot filming a pilot and agreed to take time out of his busy day to spend 45 minutes reminiscing about the film in front of the camera. We arrived a little early, got everything set up for Harold to arrive. When he did so, the interview was charming, warm, funny, he spoke of the experience and everyone that worked with him in a way that you hope people will some day speak of you. 

When the interview was over, we were small chatting and I mentioned to him that I had worked for Trevor a few years back. Harold’s eyebrows raised and he said that I had looked familiar, and with sudden recognition he said, “oh that’s right, the guy that dresses up like me.”

I heard the news of Harold’s passing this morning where I frequently hear a lot of news lately: sitting on the freeway stuck in traffic.

My phone, which sits on my dashboard was doing its best impression of a pager in the early-90s, buzzing in quick intervals every two seconds with texts and social network messages. In this new world of instant news through social media, I was skeptical that the news could be true. 

Sadly, it is. 

Animal House, SCTV, National Lampoon’s Vacation, Ghostbusters, Caddyshack, Meatballs, Stripes, Multiplicity, Bedazzled, Back to School, Groundhog Day, Analyze This, The Office… at some point, through his writing, directing, or acting, Harold Ramis has made you laugh. At some point he’s written such a sharp line of dialogue or delivered a joke with impeccable timing that nobody else could have ever done.

He’s one of those people that could easily have been a total jerk, could have easily been one of the most egomaniacal people that you would ever meet. But he wasn’t. He was warm, he was friendly, and the fact that he even pretended to remember me from a brief meeting in passing really made me feel special.

I can only hope to be half of the person that amazing people like Harold, and Trevor, and so many of the other incredibly nice guys are that you come across in this business.

The eight-year old in me mourns the loss of a larger than life Ghostbusting hero that was responsible for so much of my childhood. The 20-something in me mourns the loss of someone who made me laugh and gave me the ammunition of so much wit and wisdom to quote on a daily basis. The 30-something me sits typing this today mourning the loss of a true artist, appreciative of all that he did and the grace with which he did so.

I’m so saddened, yet so grateful simultaneously.

For more on Harold’s life, the Chicago Tribune has a touching story that everyone should read: http://www.chicagotribune.com/entertainment/chi-harold-ramis-dead-20140224,0,2259309.story

Posted on August 18, 2014 and filed under Movies.