Posts tagged #avengers age of ultron

SPT2015: Catching Up on Marvel Awesomeness

I vividly remember right after the release of Batman Returns that I sat down with a small notebook and somehow figured out that if Batman was released in 1989, and Batman Returns was released in 1992, that it would roughly take them another three years to release another Batman film. I don't know where that logic came from, but 11-year-old me was convinced that it would be true and I started a countdown to 1995. Sure enough, 1995 rolled around and so did Batman Forever (for better or worse). The countdown was a little on the excruciating side, especially at that age when time seems to crawl at such a snail's pace and three years seemed like an eternity.

I can't imagine being my present-day 33-year-old self and going back in time to tell my younger self that there would come a time in 2015 that I'd watch Agents of S.H.I.E.L.D. on television, which immediately led into the release of Avengers: Age of Ultron, then I'd be in Montreal and Vancouver (to work on two Marvel projects) and be watching Daredevil on Netflix, and a month later would be watching Ant-Man in theaters. There's more on this in the upcoming Marvel's Agents of S.H.I.E.L.D. Season Two Declassified (/end plug) but I can't think of any other time where there has been new content for a property consistently for six-plus months like there has for Marvel this year. And it seems like this is just the beginning as Star Wars will be following a similar model - and you can bet other intellectual properties will be hot on their heels.

The storytelling possibilities have been fantastic. One lengthy and connected story told over multiple years, through multiple mediums, with multiple focuses. How great is that? It's the comic book page having come to life and sent to the mainstream. I've been enjoying it completely. And yes, I do have a personal bias and was a little spoiled in seeing both Avengers: Age of Ultron and Ant-Man at their respective premieres... one of the amazing perks of being the Kimmy Gibbler to the Marvel family. But I'm enjoying every minute of it. Even though Ant-Man is another origin story, it falls in the midst of an on-going story that it's able to weave in and out of seamlessly. Age of Ultron was similar, it didn't need to carry the burden of introducing all the main characters (though it did have to carry the burden of introducing a variety of other characters, which made it a super-dense flourless chocolate cake). 

Ant-Man was a completely different film. If Captain America: The Winter Soldier was a politically-charged action thriller, then Ant-Man is a comedy-charged heist film. Shades of Oceans Eleven, The Italian Job, even a little bit of Mission: Impossible are all in there. It's great how all of the live-action Marvel properties have a very different feel and tone and probably a good reason why they've all been so successful.

One thing is for certain, between a Marvel-fueled first half of the year and a Star Wars-fueled second half, both 11-year-old and 33-year-old Troy are loving every minute of it. And I don't even have to wait three years in between it all. 

Is Soft-Breathy Cover Song the New Dubstep?

"Guys, I'm feeling a little vulnerable. Sing me a song? But do it really slow and sad, k?"

"Guys, I'm feeling a little vulnerable. Sing me a song? But do it really slow and sad, k?"

With the new trailer for Guillermo Del Toro's Crimson Peak hitting the airwaves today, I think it's safe to say that there's a new running trend with trailers coming out of Hollywood. Gone are the days of the "Inception Tone." No longer will we wait for "the drop" and the dubstep to kick in for the closing montage...

Alas, the new era of trailer edit trends is here and it is "Soft Breathy Vocalist Cover Song."

Avengers: Age of Ultron seems to have started the trend, with its deeply melancholy rendition of "I've Got No Strings" that was used to great effect raising the stakes and the emotion for our band of heroes. But now it seems to have set the precedent for trailers to follow...

Crimson Peak is using a slow-soft melancholy version of Nick Cave's "Red Right Hand," San Andreas is using a slow-soft melancholy version of "California Dreaming," the Netflix series Bloodline is using a slow-soft breathy version of "Nothing Else Matters" and earlier this week the Hitman: Agent 47 trailer hit with a somewhat slowed down cover of "Voodoo Child."

Admittedly, it's nice that we've started to get away from the flash of imagery set to the deep LFE hit "BAAAAAAAAAAAAAAAAMMMMMM" tones, but it's interesting to see how this has quickly become a repeated editorial device of late. Have there been other trailers recently that have used the same device that I've missed?

Can I also make a few suggestions for forthcoming trailers? How about this version of Dio's "Holy Diver" for the next Terminator trailer? Or what about a soft-breathy version of "Eye of the Tiger" for the upcoming Rocky spin-off film Creed? Or maybe this rendition of "Crazy in Love" for a Charlie's Angels reboot film?

UPDATE: Friend Adam Vadnais pointed out to me that a soft-ballad version of "Crazy in Love" was used in the 50 Shades of Grey trailer. So I guess I wasn't that far off?

Posted on February 13, 2015 and filed under Movies.