Posts tagged #chris pratt

The New Ghostbusters Films: Just the Facts

All this editorializing is what keeps our hair up, right Joe?

"All-female" and "Guy-centric" Ghostbusters. Chances are if you've thrown a rock at the internet lately, you've seen either of those terms in every headline you've come across. But both of those distinctions were given to the upcoming Ghostbusters sequel/reboot/remake/restarts by editorialized comments beginning at their points of origin.

So let's do something, shall we? Let's take a cue from another of Dan Akyroyd's characters that I adore and stick to just the facts... No anonymous sources, no "speculation," no snarky comments. 

Here are the direct quotes from those involved without any editorializing:

October 8, 2014 c/o Paul Feig Twitter - Feig announces he is making a new film. Note, he says "will star hilarious women."

October 8, 2014 - c/o Entertainment Weekly - Feig elaborates on his Tweet directly to EW, in his own words.

"I had been contacted by Sony and Ivan a number of months ago when I was in Budapest shooting my new movie Spy. But I was like, I don’t know if I want to take that on because the first two are such classics and just because of how do you do it? Who do you bring in now that Harold’s gone? I know that Bill didn’t want to do it and I love Dan, but it was just like I don’t know how to do it.  Then I had lunch with [Sony Pictures co-chairman] Amy Pascal when I got back to town. She was just saying, gosh, nobody wants to do this. I said, yeah, it’s really hard to take that on, especially since it’s 25 years later. how do you come back into a world that’s had these ghosts and all this? It just felt too difficult. How do you do it and not screw it up? But then it was bugging me for the next few days because Ghostbusters is such a great thing and everybody knows it, and it’s such a great world. It’s a shame to just let this thing sit there. I want to see another one. My favorite thing to do is work with funny women. I was like, what if it was an all female cast? If they were all women?  Suddenly, my mind kind of exploded: that would be really fun. And then I thought, well, what if we just make it new? It’s not coming into the world that existed before. It’s always hard if the world has gone through this big ghost attack, how do you do it again? I wanted to come into our world where there’s talk of ghosts but they’re not really credible, and so what would happen in our world if this happened today?"
"We want to have fun with giving nods to what came before, but we don’t want to be bound by it because Katie and I already have talked at length and we have really fun ideas for things. But we want to tell the stories that we would like to tell, which means we want to tell the character arcs that we want to tell, which means we want to start with some of our characters in a different place or with different personalities and things they have to overcome and learn through the experience of this first movie. My number one thing is always about character and what is somebody learning from or transforming through whatever happens to them in the movie. So I think there will be definitely room to play with that. We want to do clever nods to it, but not cloying nods to it. We want to have the ability to really bring it into modern day."
"We have a very rough, rough outline that we’re working with, but definitely know the basic story, know what we want the basic characters to do, know what we want the world to do and what the rules of our world are, but nothing I want to discuss obviously. It’s cool. I think it’s a really strong origin story that feels real—as real as a ghost story is. It’s going to be really fun and real. We’ll make it scary and funny."
"Everything is up for grabs right now. I look at this the same way a superhero movie launches where it’s always fun to see, like, what are they going to do with the costumes this time? What are they going to do with the hardware this time? It’s not going to be, here is the exact same stuff. It’s also not going to go, screw you, if you like that stuff, it’s all completely different. We’re going to have fun with it, but again, bring it into our time period. I’m a big hardware nerd when it comes to sci-fi and all of that so I love all the gear and I love all that. We’re really going to have fun with playing with the science of it. I think fans will be very happy with what we do because it has fun with what came before but it’s new. It’s just a new, fun take on it."
"I just don’t understand why it’s ever an issue anymore. I’ve promoted both Bridesmaids and The Heat and myself and my cast are still hit constantly with the question, “will this answer the question of whether women can be funny?” I really cannot believe we’re still having this conversation. Some people accused it of kind of being a gimmick and it’s like, it would be a gimmick if I wasn’t somebody whose brain doesn’t automatically go to like, I want to just do more stuff with women. I just find funny women so great. For me it’s just more of a no-brainer. I just go, what would make me excited to do it? I go: four female Ghostbusters to me is really fun. I want to see that dynamic. I want to see that energy and that type of comedy and them going up against these ghosts and going up against human detractors and rivals and that kind of thing. When people accuse it of being a gimmick I go, why is a movie starring women considered a gimmick and a movie starring men is just a normal movie?"
"At the end of the day, all we want to make is a great movie and people are going to attach a lot of energy to either being nervous about this or being excited about it, and all Katie and I and the rest of the team, who we slowly assemble, can do is just make a great movie that’s super funny, that’s scary, that’s real, that has great characters that people identify with and want to see in these situations. It’s a world that they’ve experienced before in the old ones, but the hope is the minute they sit down they’ll go, “I love the old one, oh my god, I’m loving this new one.” Everything’s got to live on it’s own merits. It would be terrible if we just go, oh we’re just doing an update where we use the same dynamic and scripts. If we just flop four women into the exact same personalities and roles as original, then that’s lazy filmmaking on my behalf, and who wants to see that? I don’t want to do a shot by shot update of a movie that existed. It’s the difficult thing about remaking a great movie. So that’s why we’re not remaking a great movie. We’re doing our take on it."

January 15, 2015 - c/o Empire Magazine - Paul Feig talks directly to Empire. In his own words:

"It came out publically that we’re in talks with Melissa but there’s a lot to work out."
"There’s a lot of haters and I get it. The problem with the internet is that if 500 really angry men start bombarding me, I think, ‘Oh god, everybody hates this movie,’ but then you realise that it’s only 500 people. I don’t block anyone out or not read that stuff because I want to know what the most hardcore hater fan’s problem is."
"A lot of people ask why I didn’t create my own thing but Ghostbusters never ran out of steam, it’s such a great idea. It’s such a fun franchise so why not bring it to a new generation? The old movie is never going to not exist. It’s not my plan to erase every copy! Hopefully they can all live together."
"We’ve been working on laptops and passing flash drives back and forth. It’s very old school. We’re using paper, god forbid."

January 27, 2015 - c/o Paul Feig Twitter - Note, this is not an official announcement. It is not confirmation. It is a photo presented by Feig without anecdote. 

January 27, 2015 - c/o Sony-run Sony Pictures Twitter. - Release date announced.

 

January 28, 2015 - c/o Dan Aykroyd direct statement to The Hollywood Reporter - Aykroyd's official press response toward any of the above. No specifics given.

"The Aykroyd family is delighted by this inheritance of the ‘Ghostbusters’ torch by these most magnificent women in comedy. My great grandfather, Dr. Sam Aykroyd, the original Ghostbuster, was a man who empowered women in his day, and this is a beautiful development in the legacy of our family business."

January 29, 2015 - c/o Ernie Hudson Twitter/Hollywood Reporter

"Four fiercely funny, foxy, females busting ghosts ... phenomenal!"

Hudson also retweeted a PR post referring to third-party rumors:

February 11, 2015 - c/o Paul Feig Twitter - Feig contacted me directly through my Ghostbusters HQ Twitter to clarify (and I'm comfortable posting this publicly now as it's been confirmed/printed in the Boston Globe).

February 17, 2015 - c/o Howard Stern Show - Dan Aykroyd appears as guest. In his own words transcribed from radio interview.

"I'm very, very happy. I've got three daughters. I'm all for female empowerment. The thing needed to be stripped down. (Stumbles) As I've said take the Ecto car. Well the Ecto car now has a chassis and wheels, it needs new engine, it needs a new body. I wrote a version of it which we may end up shooting one time. It'll be different than the all-female. But I did write a Ghostbusters 3 and it exists as a script."
"Paul Feig's script is funny."

February 24, 2015 - c/o Variety - Tom Rothman is hired as new Sony Chairman of Motion Pictures, replacing Amy Pascal. He does not specifically talk Ghostbusters but comments on franchises being his priority. In Rothman's own words:

"Every studio needs franchises. That was the case when we took over at Fox and that took time to build it up and it will take time here. It’s very important but it’s equally important to have a diverse slate of films that perform profitably."

March 9, 2015 - c/o Deadline - New production company formed called Ghost Corps. Note, direct quotes from article only. Also note, original article was mysteriously revised and corrected without any explanation late in the day March 9, 2015. Note, casting and/or movie release plan not discussed. Ghost Corps' mission statement, in Ivan Reitman's own words:

"We want to expand the Ghostbusters universe in ways that will include different films, TV shows, merchandise, all things that are part of modern filmed entertainment. This is a branded entertainment, a scary supernatural premise mixed with comedy. Paul Feig’s film will be the first version of that, shooting in June to come out in July 2016. He’s got four of the funniest women in the world, and there will be other surprises to come. The second film has a wonderful idea that builds on that. Drew will start writing and the hope is to be ready for the Russo Brothers’ next window next summer to shoot, with the movie coming out the following year. It’s just the beginning of what I hope will be a lot of wonderful movies. My primary focus will be to build the Ghostbusters into the universe it always promised it might become. The original film is beloved, as is the cast, and we hope to create films we will continue to love."
"Sometimes things happen at the speed they are supposed to happen. The deals were so strong on that second movie that the franchise became frozen in place 25 years. Nothing got done, we all had the power to block whatever we didn’t like, but we finally got together and found a way.”

March 10, 2015 - c/o writer Drew Pearce's Twitter. Direct comments and responses from Pearce in his own words:

March 13, 2015 - c/o Variety - Paul Feig discusses the various films directly with Variety. In his words:

“The Internet is really funny – I love it, but I hate it at the same time. The first wave when you make an announcement like that is overwhelmingly positive. Everyone’s so happy and you’re like, This is great. Then comes the second wave and you’re like, Oh my God. Some of the most vile, misogynistic sh** I’ve ever seen in my life.”
“The biggest thing I’ve heard for the last four months is, ‘Thanks for ruining my childhood.’ It’s going to be on my tombstone when I die. It’s so dramatic. Honestly, the only way I could ruin your childhood is if I got into a time machine and went back and made you an orphan.”
ON GHOST CORPS ANNOUNCEMENT: “I’d heard some rumblings about it. All I know is my ladies are going to kick ass and I would not want to go into battle without them.”

Will continue to update with direct quotes and statements as they're made...

Update 1: 3/11/15 3:27pm - Corrected Tom Rothman title and Amy Pascal spelling. / Added Howard Stern quotes from Dan Aykroyd. / 6:40pm - Added Ernie Hudson response from 1/29/15

Update 2: 3/14/14 1:00pm - Added Paul Feig quotes to Variety at SXSW

Welcome to the Hype?

WE GOT A DOCTOR STRANGE!!! YEEEEAAAAAAAAAAAHHHH BOOOOY!

I don't know what's going on lately, but man... every day seems to be an explosion of hype in popular culture.

Let me see if I can recap what happened just this past Thursday (in no particular order of importance):

• The title of the new James Bond film (the 24th in the series) was revealed to be Spectre and the cast was announced to much fanfare.

• Benedict Cumberbatch was confirmed to play Doctor Strange in the next Marvel film of same title.

• Ryan Reynolds was confirmed to play Deadpool in the next Marvel film of same title (but for the Fox branch of the universe).

• Krysten Ritter and Mike Colter are (unconfirmed) to be playing Jessica Jones and Luke Cage for the Marvel Netflix series of same names.

• The writer of the upcoming Pan was announced as the writer of the new Wonder Woman film.

• A new trailer for Terminator: Genisys (I think I spelled it right without looking for the first time just then) came out, and it's not entirely terrible.

The Magnificent Seven is apparently being remade, and it's apparently starring Denzel Washington and Chris Pratt.

Whew... I think that's it? Maybe? But it's a little nuts that all of this happened in one day. And all of that was hot on the heels of the day previous seeing casting announcements for Suicide Squad (Jared Leto playing The Joker in the new DC Cinematic Universe among others), and of course the new Star Wars: The Force Awakens trailer having blown up the internet this past weekend. And before that, a Jurassic World trailer. And before that...

How is anyone supposed to keep up with it all? And if it's Christmas every single day, are we going to get sensitized against all the gifts and the massive bombshell announcements? Don't get me wrong, I'm eating most of this up like an eight year old kid sitting at the foot of the Christmas tree every time that it's revealed, but I'm starting to worry that it's getting to be overwhelming for people. Go take a spin through any movie blog website like /film or Collider and every day has been major casting announcements, huge trailers, poster reveals, all sorts of things vying for your attention.

It used to be religion in Hollywood, and one of the first things you learn as an intern after how to page-check scripts, that you need to read the trades every day and scan them for each and every detail. But now all of the above information was widespread on blogs and social media instantly accessible. In fact, you'll notice that none of the links in the above are to the traditional Variety or Hollywood Reporter publications. These casting announcements used to be on the front page of trades traditionally and now they're all over your news feeds on a daily basis.

The big wave-making announcements are great, but when they increase in frequency it ends up being a lot like walking outside the San Diego Comic-Con in its present state. Crowds and crowds of people yelling loudly for your attention and your senses are so inundated that you can't process one of them let alone all of them. And I'm worried that the end result will be people tuning out. 

The curious part of this embarrassment of riches is that it seems like a good deal of it is being met with negativity, nitpicking, and in some cases: some baffling backwards thinking. Chris Pratt rides a motorcycle among velociraptors? Nerd rage! A lightsaber that looks like a broadsword? Nerd rage! The more that's being presented, the more opportunities for such fussy complaining seem to arise. And that's not even bringing up the absurd "controversy" around John Boyega appearing in the Star Wars: The Force Awakens teaser as a Stormtrooper. If there aren't nits to pick, let's turn the clock back to the 1960s for some ridiculous comments apparently. LSU professor Isaiah Lavender told The Huffington Post, "Evidently, there are still pockets of people out there in America and across the world that don't believe black people have a future."

Maybe this is all just a primer for the outrageously jam-packed 2015 that's on the horizon. Every studio is now trying to launch brands and franchises. And it's a whole lot of fun to try and keep up with anything and everything, even if it's all a bit intimidating. But you can't help but have that nagging feeling in the back of your mind that the bubble might be about to burst. Is all of the hype taking the fun out of the spontaneity of everything?

Are we losing the surprise and awe that used to be evoked when things were fresh and new because we've been so bombarded with trailers and photos and posters and featurettes and so many other things that have been so highly scrutinized (and, to be completely honest, I'm guilty of it too having frame-by-frame compared the Jurassic Park teaser trailer to the Jurassic World teaser trailer)?

All of that said, this deluge of nerdery in the form of comic books, movies, TV shows, video games, and all sorts of other media sure is a lot of fun and I'm trying to enjoy it while it lasts. But sooner or later the 5 Hour Energy that's powering it all is going to start to fade, right?

Jurassic Park vs. Jurassic World: Trailer Comparative Study

Come with us on a Jeff Goldblum-esque journey as we scientifically compare the Jurassic Park trailer to the Jurassic World trailer...

I've been a little surprised with the amount of negativity aimed at the Jurassic World trailer that launched on Tuesday. I actually really dug what I saw in the trailer and feel like if you're going to make another Jurassic Park film, this is probably the way to do it. In fact, a lot of it felt really familiar to the first film... As an experiment, I decided to compare this trailer to the original trailer for Jurassic Park from around 1992 in terms of structurally how they were presented as well as narratively what they were conveying.

Here's the results:

:15 (Both Films)

In 1992, Jurassic Park begins its trailer by introducing us to the world that we know: archeologists excavating a fossil while a narrator who sounds like Littlefinger from Game of Thrones sets the stage that mankind has always searched for its past. In 2014, Jurassic World opens on a young kid at an airport, his mother tells her how proud she is of him going on the trip but at the first sign of danger: run. Okay, so in 1992 we have to establish to audiences how and why dinosaurs have been brought back to life but in 2014, we automatically assume that it's possible and that people have knowledge of the dangers (even the past events) of a Jurassic Park. Not much comparison here quite yet.

:29 (Both Films)

In 1992, Sir Richard Attenborough tells us that he owns an island off the coast of Costa Rica and it immediately cuts to a beautiful shot of the InGen helicopter traveling to Isla Nublar. Incidentally, at the exact same time into the Jurassic World trailer in 2014, we see a similar shot of the plush boat traveling to the exact same island. Now we're talking.

:47 (Jurassic Park) / :42 (Jurassic World)

The 1992 trailer needs to drop in a little more exposition to establish how these dinosaurs have been genetically engineered, while the 2014 trailer hits us right with the familiar Jurassic World gates. However both trailers both literally and figuratively tell us that the "Park is Open" (the 2014 trailer by dropping it as a full-screen text card) followed by a shot of a Downtown Disney-looking environment... around the same time that the 1992 trailer opens the doors to the iconic atrium in a similar over the shoulder shot.

:58 (Jurassic Park) / :53 (Jurassic World)

John Hammond tells us in the 1992 trailer that his creatures are going to capture the imaginations of every living creature... and we immediately reveal character reactions to the Brachiosaurus. What happens in the 2014 trailer? We see hordes of audiences at the park with their imaginations being captured and, sure enough, at around the same time get a similar reaction to our friends, the brachiosaurus.

1:08 (Jurassic Park) / 1:04 (Jurassic World)

Jurassic Park: King Kong reference. Jurassic World: Jaws reference.

1:25 (Jurassic Park) / 1:29 (Jurassic World)

Dr. Alan Grant ominously begins explaining the science to us talking about the dangers of genetic modification while in the new trailer, Bryce Dallas Howard's Claire discusses genetic modification. Both lines of dialogue set up what will fundamentally be the harbinger for what's to come in the remainder of the trailer's events.

1:32 (Jurassic Park) / 1:30 (Jurassic World)

At the conclusion of Dr. Grant's speech, your subwoofer gets a workout with a big thump to the LFE channel as you see the iconic waterglass shot from the first film. Meanwhile, in 2014 as Claire's speech comes to a conclusion, your subwoofer also gets a workout from a big thump revealing this weird genetically modified spinal column-type thing.

2:00 (Jurassic Park) / 1:56 (Jurassic World)

In Jurassic Park, we learn that the fences are down all over the park and Samuel L. Jackson can't get anything back online without Dennis Nedry... then it cuts to this fantastic shot of Dr. Sadler surveying post-attack wreckage. In Jurassic World, Chris Pratt warns against the danger of something that escaped its fence and cuts to this image of his character: surveying post-attack wreckage.

2:04 (Jurassic Park) / 2:02 (Jurassic World)

Both trailers getting into their action montage sequences - both hit a similar palms sweating moment because our main characters are up in the air without a net at roughly the same time (Jurassic Park: the characters climbing over the high-reaching electric fence, Jurassic World: the characters jumping off a waterfall). A bit of a stretch, but identical moments eliciting the same type of response.

2:07 (Jurassic Park) / 2:05 (Jurassic World)

Jurassic Park: "Oh no." / Jurassic World: "Oh god."

2:14 (Both Films)

The young boy character sees something with a high eye-line that makes their jaws both drop.

2:21 (Both Films)

Raptors!

2:28 (Both Films)

Raptors... who learn how to open doors (Jurassic Park) / Raptors... who learn to ride with Chris Pratt (Jurassic World). And both trailers end on that note of the dinosaurs evolving in ways that we would never expect them to have.

Conclusion: Did you like the first movie? There's a good chance you might like the new one.

Jurassic World Trailer Drops

Whadda they got in there? Jaws? E.T.? Maybe the Matterhorn?

So much for waiting for the big reveal on Turkey Day... Universal Pictures did an about-face and released the trailer for the new Jurassic World film today. Clocking in at over two-minutes, the trailer gives us a really good feel for what this film is going to be and I have to say: I'm pretty $#@! excited. Dr. Ian Malcolm told us that life was going to find a way but apparently, so did humans and Jurassic Park (now World) is a thriving theme park akin to the the Disney empire. But, as they famously say, something goes wrong. And what goes wrong was incredibly unexpected on my part. Check out the trailer, now and let us know what you think!